What are the best uses of augmented reality for interpreting the past? We created four interactive posters for the Litchfield Heritage Preservation Commission. First, you’ll need to download the free Zappar app to your smart phone — works with Apple and Android. Then, after opening, point at the poster and watch history come alive.
The Brown County Historical Society exhibit, Loyalty and Dissent: Brown County and WWI, is likely the most in-depth exhibit on the subject in the state. Last month, it received a Minnesota History Award from the Minnesota Alliance of Local History Museums. I had a small part in the formation of the Alliance back in 1990-91. I had previously been president of the Bay State Historical League in Massachusetts, and, on arriving in Minnesota, found that there was no similar organization here. So we worked to begin some networking. In honor of the Minnesota History Award for the WWI exhibit, I’ve posted a tribute, The Silent Army, to those Brown County men who gave their lives.
This is the story of one country school, located just west of New Ulm, Minnesota, for which I wrote the National Register of Historic Places nomination. It was closed in 1971 when Minnesota added a requirement that school districts must offer high school curriculum — the death knell for District No. 50 and others across the state. There are hundreds of these rural schools across the country, but I enjoyed working on this project for two reasons. First, it is a remarkably preserved example of a building influenced by Progressive era educational theory, taken from the cover of a state-issued plan book. Ideas were translated into the built environment. Second, I conducted oral history interviews with several former students. It is easy to fall into sweet nostalgia when talking about one-room schools, but the interviewees raised issues that are still with us — the benefits of a very small school with multiple grade levels and the reinforcement of learning that took place when older students helped to teach younger students. And it is not nostalgia when speaking of the bonds of community, knowing who your neighbors are and, more importantly, knowing their stories.
With virtual reality and augmented reality standing on the verge of popular adoption, this might be the Thanksgiving of the future. The technology, though, is advanced enough to make it inaccessible to small historical societies and museums. I saw two attempts this weekend. The Galena and U. S. Grant Museum promoted its holograms of Ulysses and Julia Grant — intended to serve as orientation. It was not a hologram, but a video projected on black curtains. The script also fell short, as the Grants explained what visitors would see in the museum, obviously not in character. Over in Dubuque, I visited the National Mississippi River Museum, a wonderful complex, where I watched a National Geographic film on the Lewis and Clark Expedition. Great story, although, as is often the case, the journey to the Pacific is highlighted and the return adventure barely mentioned. What interested me was that it was promoted as a 4D experience. Which it wasn’t. No 3D glasses. Instead, at key points, rumbles under the seats as a storm approaches, quick sprays of water in the rapids, and wind on the mountaintops. Interesting but a gimmick. So I’m not sure where the new technology will lead us in the field of history.
On Tuesday evening, August 22nd, the Brown County Historical Society and the New Ulm Public Library will host the Hoisington Film Festival. It begins at 7 p.m. at the New Ulm Public Library and admission is free. That is a traditional week set aside for lectures and tours about the U.S.-Dakota War of 1862. The evening will feature three short films. Never Shall I Forget is the story of the battles of New Ulm told completely through the words of participants. It is featured in the BCHS Erd basement installation, but it has never been shown elsewhere and never on a large screen. The second film is Turner Hall 1862. The Turners were the driving force behind the settlement of New Ulm. They were idealists who had a vision of the type of society that they wanted to build here. Did they succeed? This documentary will look at the Turner Hall on the eve of the battles of New Ulm. Finally, we’ll present The Truth in History: Remembering Elden Lawrence. Dr. Lawrence was a fine historian who through his abilities and compassion taught others about the U.S.-Dakota War. The evening concludes with a question-and-answer session.
We are proud to announce the publication of Meet Us at the Fair: A History of the Brown County Fair. 2017 is the 150th anniversary of the Brown County Fair — long recognized as one of the best in the state. Organized in 1867, it has been an important annual event for generations. In this book, written by historian Daniel J. Hoisington, you’ll learn about the people who made it happen. Over the years, the fair was the chance to enjoy a grandstand show, whether it was a country and western singer, a neck-and-neck horse race, or a demolition derby. To young people, the fair meant hard work to compete for a blue ribbon. For others, it offered the thrill of a ride on the Midway, eating a bag of mini-donuts, or dancing to the sounds of a local band. For ordering information: https://www.browncountyfreefair.com
In 2012, I helped to organize, write, and design the award-winning exhibit, Never Shall I Forget: Brown County and the U.S.-Dakota War of 1862, for the Brown County Historical Society in New Ulm, Minnesota. We made creative use of iPads to bring differing perspectives to the story. We will be uploading supplementary information to our YouTube channel over the next several weeks, beginning with the thoughts of the late Elden Lawrence on the cultural perspectives of the Dakota and the newly-immigrated German settlers of Brown County. Elden was fine scholar, a sharp observer of history, and a generous spirit.
The German-Bohemian Heritage Society will present the documentary, A Homeland Transplanted: German Bohemians in America, on Saturday, August 29, 2015, at the New Ulm Public Library. The film begins at 10 a.m. and admission is free.
In the latter half of the nineteenth century, immigrants from German-speaking Bohemia came to America, with many settling near New Ulm, Minnesota. There, they lived on farms in the surrounding townships and in neighborhoods like Goosetown and the Wallachei. They brought the folkways of their homeland with them to the new world. Today, the traces of that culture — their Heimat — linger. Many recall the use of the “Böhmish” dialect at home or in the fields. At the family table, bread dumplings with horseradish gravy or “schmierkucken” are still a part of their family fare. Older members of the community carry on crafts such as music-making and klöppeled lace.
Based on extensive oral history interviews, this documentary tells the story of a homeland transplanted.
Produced and written by Daniel J. Hoisington 122 minutes
$16.95 plus free shipping.
Order online with easy checkout at www.germanbohemianheritagesociety.com
I’ve just completed a new pastcast series for the Stillwater Heritage Preservation Commission. This year, we selected eighteen properties in the Chestnut Hill and Pine Street neighborhoods. There are some architectural gems and every home has a story. I’ve posted this example: the home of Henry and Nancy Nichols. I first encountered their story nearly two decades ago when I wrote the history of Chanhassen on the occasion of its centennial. The Nichols and the Clevelands were part of the Northampton Colony that came from Massachusetts to settle in Minnesota in the 1850s, and the Clevelands ended up in what is now Chanhassen. The story has a tragic ending.
The complete series will be released in September. The downtown series, released last year, won a 2014 National Alliance of Preservation Commissions (NAPC) Excellence Award.
In his essay, “The Art of Fiction,” Henry James said that all writing has two parts: the idea and the execution. He wrote, “We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it.” For more than thirty years, documentarian Ken Burns has looked at American history through his lens. Through the 1980s, his vision of the past developed in films such as The Statue of Liberty and Huey Long, culminating in his breakthrough series, The Civil War. That is the idea. The execution has become just as well-known: the voiceover quoting period sources; the wistful, sometimes jaunty, often haunting musical score; and, of course, the pan-and-scan technique now known as “the Ken Burns effect.”
With the release of his iPad app, Burns tries to repackage the donnée, using technology that did not exist when he began filmmaking. Essentially, the iPad app is a collection of clips from past films, but arranged so the body of his work — thirty plus years of film — can interact in new ways. You can view them chronologically, through a timeline, or via a series of playlists each centered in a particular theme, like race or art. This breaks the narrative thread and places you in the realm of the donnée.
I’ve watched every minute of Ken Burns’s work — often multiple times — so I know the stories. What I can do, though, is follow the idea — race, for example — developed through each of his films. The app is enhanced by new video comments by Burns. In his films, you might watch the ideas develop over ten or more hours. I think of the issue of race, for example, as shown in the Baseball series. In the app, he hammers home the ideas in newly-filmed short clips — this is what I was saying. I can watch four hours of Mark Twain and, in the end, grow aware of how funny his writing remains. (Read Finley Peter Dunne to understand how unusual that is.) Here, Burns comes on and says that in a brief summary.
This is a worthy experiment. It would be interesting, in the future, to be able to easily compare other documentarians with Burns — how a single historical event might be viewed through different lights and shadows.